The story is set in a post-apocalyptic world, date and place unnamed, though the reader can assume it's somewhere in what was the United States because the man tells the boy that they're walking the "state roads. Stylistically, the writing is very fragmented and sparse from the beginning, which reflects the barren and bleak landscape through which the man and boy are traveling. McCarthy also chooses to use no quotation marks in dialogue and for some contractions, he leaves out the apostrophes.
Summary Analysis More long weeks pass as the man and boy keep traveling. They come to a mountain range and the man wonders if they will be able to survive crossing it.
The man sets a concrete goal of reaching the coast, but he knows that there is no reason to hope the coast is any better than where they are. It is the journey—continuing on—that matters.
Active Themes Related Quotes with Explanations They reach the mountains and pass through lifeless forests and burned resort towns. They cross a stream and the man remembers seeing trout there long ago.
It gets colder as they get higher, and there is gray snow on the ground. There are still fires burning in the distance, somewhere in the mountains. The man and the boy make campfires every night to keep warm.
Sometimes the man stops to cough up a fine spray of blood. All the human survivors wear masks and goggles now because of the ash, but the man still has gotten some kind of respiratory disease.
Active Themes One day they walk near a forest fire, and the color of it reminds the man of the sun. The man dreams that his wife is sick and he takes care of her. The man thinks about crime and punishment in the world.
They keep going up the mountain and their pace slows. It seems that many of the fires that destroyed everything came after the disaster itself. The gap is probably the Cumberland Gap. The next morning they move on and drink their last packet of cocoa. The man tries to give all of it to the boy but the boy makes them split it.
They start traveling downhill and they hear trees falling. The man assures the boy that no trees are going to fall on them. Often they come across trees fallen across the road and they have to unpack the cart and carry everything over the tree trunks. Though their love is generally silent and based on perseverance and survival, the man does try to show his love in other ways, as by giving the boy the treat of the coke or the cocoa.
The boy must trust the man implicitly, but the man often exaggerates when comforting the boy. Active Themes One night the boy has a nightmare about a wind-up penguin toy. Four days later they come out of the snow and find a river.
They travel farther and reach a waterfall, which amazes the boy. The man jumps into the pool below the waterfall and swims around. The boy takes off his clothes to join him and the man notices how terribly thin the boy is.
The boy jumps in and the man helps him as he tries to swim. The boy is a product of the post-apocalyptic age, as he was born after the disaster, so he lives in a nearly constant state of starvation.The woman. The woman is the man's wife and the boy's mother, and she also goes unnamed throughout the novel.
She leaves the man and boy when the boy is still very young, and she is presumed to be dead. Road. To dream of a road represents life goals and direction. To see a zigzag, curvy, or bumpy road in your dream symbolizes a similar life path ahead, particularly of a . The novel begins with the man and boy in the woods, the boy asleep, as the two of them are making their journey along the road.
The story is set in a post-apocalyptic world, date and place unnamed, though the reader can assume it's somewhere in what was the United States because the man tells the boy that they're walking the "state roads.". Road Trip To dream that you are taking a road trip signifies your life journey and the decisions you make in life.
If the road trip is a smooth one, then it indicates that you are . The road interpretation of the woman Throughout The Road, Corm McCarthy draws a very heavy line in the sand between giving up and persevering. Very often, this line in the sand adheres to strict gender lines: while women are shown to “give up” in one form or another, the father and son who struggle down the post-Apocalyptic road tell.
With her suicide the woman gives in to that weariness and despair that the boy now feels, she escapes the violence and horror of the present, and she tries to take some control of her chaotic life by determining the means of its end.