Fourteen organizations from across the state received grants for projects in line with the mission of the Red Ants Pants Foundation.
Warren Beatty can't sing. In those days, he could barely talk. Take Richard Strauss's opera Salome.
She's supposed to be a seductive sixteen year old girl. But Strauss wrote her vocally with a huge voice that had to carry over a piece orchestra without miking.
Only experienced middle aged singers could sing it but to top it off, the libretto calls for her to do a sensuous striptease, The Dance of the Seven Veils.
It's still a popular opera, but there are always compromises somewhere in the casting. Meanwhile, adults in their 20s and 30s had been playing teenagers in Hollywood for decades and audiences just accepted it without thinking about it.
My favorite abomination is 40 plus something Norma Shearer playing 13 year old Juliet in MGM's grandiose s production. The audience are there to look at not just the star, but the lush period settings and costumes. Having a 30 something star who looks like a 30 something person playing a contemporary teen like in West Side Story would have been extremely off putting.
And one property is not like another. For example, West Side Story is not Grease. In Grease, it doesn't much matter if everyone is 10 years older than their character, because the whole movie doesn't much matter. West Side Story takes itself very, very seriously, from start to finish.
If the creators are going to try to create a Group Theater sort of experience built around serious social comment about the tragedy for young people caused by poverty and racism, then they have to cast it with actual young people. Without them, the empathy the audience would bring is lost.
Someone who can play the 15 year old ambitious youth Eva Duarte to the jaded, driven, powerful Evita Peron. The score is written for an experienced vet but you NEED someone young to play the part.
It's almost impossible to cast. Now, you tell me! But it's true that it's much easier to willingly suspend disbelief and believe that the performer you're watching is actually a teenager and a not a middle-aged battleaxe with a mature voice On the big screen, or even the small screen, you see too much, it's hard to convince yourself that the performer's age is off by more than ten years.
The performers really do need to be young for the big screen, not just to make them look plausible in the context of a high school dance, but so that you don't hold their criminality against them.
They should be so young that it seems like they might be redeemable, not like hardened criminals. If you can name 16 year old being able to act, sing and dance appriopriatly to the requirements of WSS, than just name one WSS is one of my favorite musicals as well In fact it turns out it didn't even work when it opened in on Broadway in ' Thank you as well R for your insightful analysis.Comments and Observations Can't Get It Out Of My Head was originally recorded at De Lane Lea Studios in London, UK between February 11 and February 15, , although this was only the basic backing track.
Additional material and orchestra sessions may have beem in . This colorful song from Leonard Bernstein's Broadway hit West Side Story mixes sarcasm and humor in music that has a more Puerto Rican ring than American, despite its title.
With lyrics by Stephen Sondheim, this ensemble number, sung by Puerto Rican characters Anita, Rosalia, Bernardo, and chorus, is a light-hearted paean to the . “America” is a song from the musical West Side Story. Stephen Sondheim wrote the lyrics and Leonard Bernstein composed the music.
I am reluctant to write about the “Israel problem” at the heart of U.S. foreign policy two weeks in a row but it seems that the story just will not go away as the usual suspects pile on the Barack Obama Administration over its alleged betrayal of America’s “best and greatest friend and ally.
Dec 28, · The phrase “guilty pleasure” has long outlived its usefulness. If you really like a song or a movie or a TV show, no matter how cheesy the conventional wisdom says it is, you should feel free.
Analysis of the lyrics of The End by Jim Morrison Stories, characters, themes, genres The End‘s lyrics shows great ways to tell stories through suggestion, association and poetry, playing on contrasts and echoes between alternate themes and situations.. This is one of the song .